szymonwojcik.com

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	<title>szymonwojcik.com</title>
	<link>https://szymonwojcik.com</link>
	<description>szymonwojcik.com</description>
	<pubDate>Wed, 04 Feb 2026 16:25:38 +0000</pubDate>
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		<title>home</title>
				
		<link>https://szymonwojcik.com/home</link>

		<pubDate>Fri, 25 Feb 2022 11:53:03 +0000</pubDate>

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		<description>
	&#60;img width="3884" height="3885" width_o="3884" height_o="3885" data-src="https://freight.cargo.site/t/original/i/1e5df265a786fae39f89801bbf41b3101a4c9098760e9688f376d0936bf6ef68/cover_Szymon-Wo_jcik.jpg" data-mid="244430932" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/1e5df265a786fae39f89801bbf41b3101a4c9098760e9688f376d0936bf6ef68/cover_Szymon-Wo_jcik.jpg" /&#62;


when you rub your eyes, you see things you can’t describe&#38;nbsp;
is out now on Sawyer Editions

Available 
on 
BANDCAMP 
and 
ALL STREAMING PLATFORMS 
except Spotify &#38;nbsp; 

	SELECTED WORKS&#38;nbsp;—when you rub your eyes you see things, you can’t describe
untitled#287 (for pipe organ, tuned oscillators and 3d audio system)&#38;nbsp;(for , tuned and 3d&#38;nbsp; system)&#38;nbsp; and 3d&#38;nbsp; sythe snake that eats its own tail (for bass clarinet, cello, tuba and tuned oscillators)
&#38;nbsp; 
ouroboros (for solo 
organ)&#38;nbsp;

I LOVE YOU HILDEGARD! 
(virtual walk)&#38;nbsp;
I LOVE YOU HILDEGARD!&#38;nbsp;


what did you forget that you want the future to remember


All the Wonders of Six Little Spoons

RASP Lovers


Travel Adapter

Hidros 9 by Mats Gustafsson


</description>
		
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	<item>
		<title>when you rub your eyes</title>
				
		<link>https://szymonwojcik.com/when-you-rub-your-eyes</link>

		<pubDate>Wed, 04 Feb 2026 16:25:38 +0000</pubDate>

		<dc:creator>szymonwojcik.com</dc:creator>

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		<description>
	when you rub your eyes, you see things you can’t describe
________________

	when you rub your eyes, you see things you can’t describe is a new album by Polish, Cologne-based composer Szymon Wójcik.


Out on 16 January 2026 via Sawyer Editions, the record emerges from an exploration of liminal zones of harmony—spaces where the traditional Western divide between major and minor becomes blurred or disappears entirely.


Working with just intonation as a structural anchor, Wójcik creates sound worlds that merge contemporary composition with the expressive contours of left-field pop. This approach is shaped through close collaboration with vocalist Sara Flindt, whose intuitive, open-ended practice allows the precisely tuned harmonies to expand into more expressive and unpredictable territories.


The album features five compositions, in which wind and string instruments, voice, guitars, pipe organ, and the ARP 2500 synthesizer blend to form a unified, complex sonic world....


Sara Flindt - voice (tracks: 1, 2, 3, 4)

Amalie Dahl - alto saxophone (3, 4, 5)

Ferdinand Schwarz - trumpet (4, 5)

Lorenzo Colocci - bass flute (3, 4, 5)

Oskar Tomala - prepared clarinet (3)

Victor Fox - tenor saxophone (2)

Philip Hayduk - trombone (2)

Rasmus Svale Kjærgård Lund - tuba (4, 5)

Emily Wittbrodt - cello (4, 5)

Rafał Różalski - double bass (3, 4)

Jan Philipp - drums (4)

Szymon Wójcik - ARP 2500 (2, 3), guitars (1, 3, 4), pipe organ (2)


instrumental music composed Szymon Wójcik

lyrics and vocal parts composed by Sara Flindt


	&#60;img width="3884" height="3885" width_o="3884" height_o="3885" data-src="https://freight.cargo.site/t/original/i/942089ce07b3309ec5b6af257a771af0d47ed1bd094cc6c09e4dc52a1152ae61/cover_Szymon-Wo_jcik.jpg" data-mid="244432928" border="0"  src="https://freight.cargo.site/w/1000/i/942089ce07b3309ec5b6af257a771af0d47ed1bd094cc6c09e4dc52a1152ae61/cover_Szymon-Wo_jcik.jpg" /&#62;BANDCAMP.
STREAMING PLATFORMS


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		<title>untitled#287</title>
				
		<link>https://szymonwojcik.com/untitled-287</link>

		<pubDate>Mon, 15 Dec 2025 15:44:42 +0000</pubDate>

		<dc:creator>szymonwojcik.com</dc:creator>

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		<description>
	untitled#287 (for organ, tuned oscillators and 3d audio system)
________________
	

	PL:
„untitled#287” jest utworem elektroakustycznym na organy piszczałkowe i strojonе oscylatory, stworzonym specjalnie z myślą o systemie dźwięku 3D. Organy zostały nagrane przy użyciu dziewięciu mikrofonów (część z nich umieszczono wewnątrz instrumentu), aby uchwycić możliwie najbardziej przestrzenny obraz dźwięku oraz — dzięki późniejszej spatializacji — przenieść słuchaczy do wnętrza instrumentu.

Utworu można wysłuchać w miksie binauralnym w dedykowanym środowisku graficznym 3D tutaj (zalecany odsłuch w słuchawkach):https://www.nievesdelafuentegutierrez.com/Szymon/index.html


Miks binauralny (tylko audio) dostępny tutaj (zalecany odsłuch w słuchawkach):https://on.soundcloud.com/4Vo29ZjyI4uNNNANcB
.
Utwór powstał w ramach stypendium, które realizuję od października 2025 - pod tytułem „Przestrzeń dźwięku jako materia kompozycji – konsultacje ze specjalistami i realizacja utworu w technologii object-based audio”. Stypendium sfinansowane zostało przez Unię Europejską NextGenerationEU.
ENG:“untitled#287” is an electroacoustic piece for pipe organ and tuned oscillators, created specifically for a 3D audio system. The organ was recorded using nine microphones (some of them placed inside the instrument) to capture the most spatial sound image possible and — through subsequent spatialization — transport listeners into the interior of the instrument.

Listen to the piece in a binaural mix within a dedicated 3D graphic environment here (listen in headphones):https://www.nievesdelafuentegutierrez.com/Szymon/index.html

Binaural mix (audio only) available here (listen in headphones):https://on.soundcloud.com/4Vo29ZjyI4uNNNANcB

.The work was created as part of a scholarship program that I have been carrying out since October 2025, entitled “Sound Space as a Compositional Material – Consultations with Specialists and the Realization of a Work Using Object-Based Audio Technology.”
The scholarship was funded by the European Union under the NextGenerationEU program.
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/e79dc8dd0766ec0dfea3e82e6a5b60d9f0ae8e5c37a81f5b805157a2fe4e5ac1/IMG_5743.jpg" data-mid="241833423" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/e79dc8dd0766ec0dfea3e82e6a5b60d9f0ae8e5c37a81f5b805157a2fe4e5ac1/IMG_5743.jpg" /&#62;recording the organ

&#60;img width="3950" height="1741" width_o="3950" height_o="1741" data-src="https://freight.cargo.site/t/original/i/ba9e65c9005d61669fb7bf4298593d0bcb5448d42585d672dd169823cac425fe/new-doc-2026-03-01-16.50.10_1-2.jpg" data-mid="245728026" border="0"  src="https://freight.cargo.site/w/1000/i/ba9e65c9005d61669fb7bf4298593d0bcb5448d42585d672dd169823cac425fe/new-doc-2026-03-01-16.50.10_1-2.jpg" /&#62;
working score of the “untitled#287”&#60;img width="4032" height="1304" width_o="4032" height_o="1304" data-src="https://freight.cargo.site/t/original/i/ac9d2ec505e82bb843d89ee2834be5f5638278cb1cd3034c91abaebcc5365ecc/new-doc-2026-03-01-16.54.33_1.JPG" data-mid="245728000" border="0"  src="https://freight.cargo.site/w/1000/i/ac9d2ec505e82bb843d89ee2834be5f5638278cb1cd3034c91abaebcc5365ecc/new-doc-2026-03-01-16.54.33_1.JPG" /&#62;harmonic material used in the piece

&#60;img width="3520" height="1980" width_o="3520" height_o="1980" data-src="https://freight.cargo.site/t/original/i/0662cbb4356ff826898441969dc9fb118d2fd2f796dbf27a366bfb02d9f19d0d/IMG_5723.JPG" data-mid="245728174" border="0"  src="https://freight.cargo.site/w/1000/i/0662cbb4356ff826898441969dc9fb118d2fd2f796dbf27a366bfb02d9f19d0d/IMG_5723.JPG" /&#62;inside the organ

&#60;img width="1980" height="3520" width_o="1980" height_o="3520" data-src="https://freight.cargo.site/t/original/i/d734c0fbd49968f3aeb2de7c83f4be66bd1eddb208f1f5751c7cfa8c79eda5d3/IMG_5759.JPG" data-mid="245728220" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/d734c0fbd49968f3aeb2de7c83f4be66bd1eddb208f1f5751c7cfa8c79eda5d3/IMG_5759.JPG" /&#62;&#60;img width="1980" height="3520" width_o="1980" height_o="3520" data-src="https://freight.cargo.site/t/original/i/c79978d20a9816c2da0cbb02ce6a0592cd4dabbf9764113e727e81fcb04a7d99/IMG_5754.JPG" data-mid="245728246" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/c79978d20a9816c2da0cbb02ce6a0592cd4dabbf9764113e727e81fcb04a7d99/IMG_5754.JPG" /&#62;&#60;img width="1980" height="3520" width_o="1980" height_o="3520" data-src="https://freight.cargo.site/t/original/i/b5eb341b940a749f1407d1d573b86594d51f0984732928be1ae89b90e6cc023a/IMG_5749.JPG" data-mid="245728251" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/b5eb341b940a749f1407d1d573b86594d51f0984732928be1ae89b90e6cc023a/IMG_5749.JPG" /&#62;&#60;img width="1980" height="3520" width_o="1980" height_o="3520" data-src="https://freight.cargo.site/t/original/i/6073148f5e39529a4ab2a8dbfd733f1fad4ecd2cec39dc997f5c596d28537357/IMG_5744.JPG" data-mid="245728268" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/6073148f5e39529a4ab2a8dbfd733f1fad4ecd2cec39dc997f5c596d28537357/IMG_5744.JPG" /&#62;
inside the organ


	&#60;img width="4244" height="591" width_o="4244" height_o="591" data-src="https://freight.cargo.site/t/original/i/5d9ce4b2960f58c0f68d564dbffa6886550e07a41ad44d55a3932f09224b5027/KPO_barwy-RP_NextGenerationEU_poziom_zestawienie_podstawowe_EN_RGB.jpg" data-mid="241833020" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/5d9ce4b2960f58c0f68d564dbffa6886550e07a41ad44d55a3932f09224b5027/KPO_barwy-RP_NextGenerationEU_poziom_zestawienie_podstawowe_EN_RGB.jpg" /&#62;
</description>
		
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	<item>
		<title>snake that eats its own tail</title>
				
		<link>https://szymonwojcik.com/snake-that-eats-its-own-tail</link>

		<pubDate>Sun, 03 Aug 2025 13:13:24 +0000</pubDate>

		<dc:creator>szymonwojcik.com</dc:creator>

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		<description>
	the snake that eats its own tail (for cello, bass clarinet, tuba and tuned oscillators)&#38;nbsp;
_________________
	

	the snake that eats its own tail emerges from my ongoing exploration of harmonic worlds where the Western dichotomy between major and minor modes begins to dissolve. Composed entirely in 11-limit just intonation—a tuning system based on the natural harmonic series that allows for intervals expressed as whole-number ratios—the piece invites listeners into a space where familiar tonal reference points become blurred.
Performed by&#38;nbsp;
Carl Rosman – bass clarinet, Dirk Wietheger – cello, Maxime Morel – tuba, Carlos Lopes – oscillators;world premiere of the piece: June 27, 2025, Studio of Ensemble Musikfabrik, Cologne (DE)

	
	&#38;nbsp;
</description>
		
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	<item>
		<title>ouroboros</title>
				
		<link>https://szymonwojcik.com/ouroboros</link>

		<pubDate>Sun, 03 Aug 2025 12:56:11 +0000</pubDate>

		<dc:creator>szymonwojcik.com</dc:creator>

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		<description>
	ouroboros (for solo organ)&#38;nbsp;_________________
	

	The piece explores the harmonic possibilities of the organ at Kunst-Station Sankt Peter in Cologne. This organ is special due to its exceptional number of registers known as "mutation stops," which allow for the creation of intervals tuned as ratios of whole numbers.

The piece premiered on November 21, 2024, at Kunst-Station Sankt Peter in Cologne (DE) as part of the Orgel-Mixturen 2024 festival.&#38;nbsp;


&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/0203dd2a38f277f713875f126b3b73a8d1e04ccf0e0a2bd371609ef8cddc27e1/IMG_8816.jpg" data-mid="236612327" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/0203dd2a38f277f713875f126b3b73a8d1e04ccf0e0a2bd371609ef8cddc27e1/IMG_8816.jpg" /&#62;


</description>
		
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		<title>I LOVE YOU HILDEGARD! </title>
				
		<link>https://szymonwojcik.com/I-LOVE-YOU-HILDEGARD</link>

		<pubDate>Sat, 28 Dec 2024 08:51:44 +0000</pubDate>

		<dc:creator>szymonwojcik.com</dc:creator>

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		<description>
	I LOVE YOU HILDEGARD! (2024)
_________________
I LOVE YOU HILDEGARD!&#38;nbsp;
is a piece for artificial choir and electric voltage recorded through an ARP 2500 modular synthesizer;
 composed for a 16-channel surround system. 
I LOVE YOU HILDEGARD!&#38;nbsp; is in a way a creation of an fictional reality, consisting of superimposed and modified fragments of Hildegard's monophonic pieces forming a completely new polyphonic piece for 12 voices; 
it is a far-fetched fantasy and an idea of what Hildegard's music might have been like had it not been as we imagine it today, as well as a take on issues of truth, interpretation and manipulation in the sphere of music and sound.&#38;nbsp;
	

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		<title>what did you forget that you want the future to remember</title>
				
		<link>https://szymonwojcik.com/what-did-you-forget-that-you-want-the-future-to-remember</link>

		<pubDate>Fri, 25 Feb 2022 11:53:03 +0000</pubDate>

		<dc:creator>szymonwojcik.com</dc:creator>

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		<description>
	‘what did you forget that you want the future to remember’ for ARP 2500 (work in progress)
_________________
‘what did you forget that you want the future to remember’ is a result of a months spent experimenting with the legendary ARP 2500 synthesizer. The main focus of the research was the”human” features of the machine as well as traces of a passing time. At the moment the result is a study in harmony and repetition, exploring boarders between linear and non-linear composition aspects with a heightened focus on just intonation and beating interference patterns.

Part of the research was presented at GKG Bonn in July 2023; Comissioned by Strom : Klänge —exhibition at the Gesellschaft für Kunst und Gestaltung Bonn. 

 
</description>
		
	</item>
		
		
	<item>
		<title>RASP Lovers</title>
				
		<link>https://szymonwojcik.com/RASP-Lovers</link>

		<pubDate>Fri, 25 Feb 2022 11:58:12 +0000</pubDate>

		<dc:creator>szymonwojcik.com</dc:creator>

		<guid isPermaLink="true">https://szymonwojcik.com/RASP-Lovers</guid>

		<description>
	RASP LOVERS 
_________________
R&#38;nbsp; &#38;nbsp; o m a n t i cA&#38;nbsp;l t e r n a t i v &#38;nbsp;eS&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;c h i z o p h r e n i c&#38;nbsp;P&#38;nbsp; &#38;nbsp;u &#38;nbsp;n &#38;nbsp;k&#38;nbsp;_________________
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;RASP Lovers is Szymon Wojcik’s project that came to life in 2018. The main assumption underlying rasp music are contrasts, oxymorons, combining elements that are far apart from each other, creating constant tension between formation and desintegration of sound structures and exploring the boundaries between noise and conventional music. Their debut album “Romantic Alternative Schizophrenic Punk” was released on 26th October 2019 on Howard Records.

.Szymon Wójcik - guitar, compositionsJerzy Mączyński - saxophone, electronicsMarcel Baliński - pianoRafał Różalski - double bassBartosz Szablowski - drums


&#60;img width="5254" height="3502" width_o="5254" height_o="3502" data-src="https://freight.cargo.site/t/original/i/0e934728041724b5b8bcb47acffe1c72f019445759932527438bae4567fa9c89/6.jpg" data-mid="134638596" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/0e934728041724b5b8bcb47acffe1c72f019445759932527438bae4567fa9c89/6.jpg" /&#62;&#38;nbsp;©Monika Orpik


&#38;nbsp;︎ &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎ &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ︎ &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ︎ &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ︎ &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎


</description>
		
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	<item>
		<title>releases</title>
				
		<link>https://szymonwojcik.com/releases</link>

		<pubDate>Sun, 27 Feb 2022 09:38:03 +0000</pubDate>

		<dc:creator>szymonwojcik.com</dc:creator>

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		<description>
	RELEASES 
_________________


Szymon Wójcik - “All the Wonders of Six Little Spoons”

Gotta Let It Out (October 2023)

 
LP/Digital Album


︎&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎

	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1200" height="902" width_o="1200" height_o="902" data-src="https://freight.cargo.site/t/original/i/a73f8a2c8c625828e7049ef28d5099b4f175101ed1e7e62f81bd5ef0f56fd6ff/0032026990_10-3.jpg" data-mid="215436365" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/a73f8a2c8c625828e7049ef28d5099b4f175101ed1e7e62f81bd5ef0f56fd6ff/0032026990_10-3.jpg" /&#62;


	Mats Gustafsson Hidros 9 - “Mirrors”

TROST (September 2023)

 
CD/Digital Album


︎ &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;


	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/5c884acbf41fab94c75fcaa44df336f77c5d06d68707430ea5d7460e1ea36a07/a0179572766_10.jpg" data-mid="188491697" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/5c884acbf41fab94c75fcaa44df336f77c5d06d68707430ea5d7460e1ea36a07/a0179572766_10.jpg" /&#62;


	Travel Adapter&#38;nbsp;“Designed in Poland”
self published (March 2020)

Casette/Digital Album


︎ &#38;nbsp; &#38;nbsp; &#38;nbsp;

	
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/70960514d28213f4104ef3dcb5274b5a6e7e2ad59f636128829740ead534610b/IMG_2788.jpg" data-mid="134776777" border="0" data-scale="42" src="https://freight.cargo.site/w/1000/i/70960514d28213f4104ef3dcb5274b5a6e7e2ad59f636128829740ead534610b/IMG_2788.jpg" /&#62;


	RASP Lovers “Romantic Alternative Schizophrenic Punk”
Howard Records (October 2019)

CD/Digital Album


︎&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎

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P.E. Quartet “Cokolwiek”
Multikulti Project (June 2018)

CD/Digital Album


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	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="700" height="700" width_o="700" height_o="700" data-src="https://freight.cargo.site/t/original/i/4dbe1d3e94c8f9709352049cf4c749032db4418e143e98db5f43be98e83747a3/a4033374292_16.jpg" data-mid="134777047" border="0" data-scale="61" src="https://freight.cargo.site/w/700/i/4dbe1d3e94c8f9709352049cf4c749032db4418e143e98db5f43be98e83747a3/a4033374292_16.jpg" /&#62;

	
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