SZYMON WÓJCIK —
upcoming dates:
June 27, 2025
for clarinet, tuba and cello
Studio des Ensemble Musikfabrik
Köln, DE
May 28-31, 2025
I Love You Hildegard!
Lublin, PL
April 4, 5, 2024
LA VACABOSE by MARIA MERCEDES FLORES MUJICA
Tanzhaus NRW
Düsseldorf, DE
March 20, 21, 22, 2024
LA VACABOSE by MARIA MERCEDES FLORES MUJICA
Kampnagel
Hamburg, DE
RELEASES
Contact
I LOVE YOU HILDEGARD!
(virtual walk)
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I LOVE YOU HILDEGARD! is in a way a creation of an fictional reality, consisting of superimposed and modified fragments of Hildegard's monophonic pieces forming a completely new polyphonic piece for 12 voices;
it is a far-fetched fantasy and an idea of what Hildegard's music might have been like had it not been as we imagine it today, as well as a take on issues of truth, interpretation and manipulation in the sphere of music and sound.
The virtual walk is an attempt to reimagine what the space in which Hildegard von Bingen lived and created might have sounded like.
Based on 3D scans of the ruins of the monastery at Disibodenberg (where Hildegard lived for 39 years), Nieves de la Fuente and I created a fictional, imaginary space that could be home to Hildegard hundreds of years ago.
LINK TO THE EXPERIENCE:
https://www.nievesdelafuentegutierrez.com/Hildi/examples/basic/index.html
INSTRUCTIONS:
1. use with headphones only
2. open in full-screen mode, to switch to full-screen mode click on the icon with arrows in the lower right corner of the screen;
3. each blue box is a separate sound source; double-click the blue box to enable the sound source (box in green - sound is enabled, box in yellow - sound is disabled, box in blue - sound source not enabled)
4. move forward, backward, and sideways with the arrows or a,s,d,w, while to rotate (and also look up and down) use the mouse cursor.
open in Google Chrome!
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Created as part of the fellowship in the topic “3D sound technology and VR”, which was funded by the European Union NextGenerationEU.
The fellowship includes meetings with Brigitta Muntendorf, Chikashi Miyama, Nieves de la Fuente and Rafal Ryterski.
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ruins of Disibodenberg monastery
3D scans of Disibodenberg monastery
I LOVE YOU HILDEGARD! (2024)
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I LOVE YOU HILDEGARD!
is a piece for artificial choir and electric voltage recorded through an ARP 2500 modular synthesizer;
composed for a 16-channel surround system.
I LOVE YOU HILDEGARD! is in a way a creation of an fictional reality, consisting of superimposed and modified fragments of Hildegard's monophonic pieces forming a completely new polyphonic piece for 12 voices;
it is a far-fetched fantasy and an idea of what Hildegard's music might have been like had it not been as we imagine it today, as well as a take on issues of truth, interpretation and manipulation in the sphere of music and sound.
‘what did you forget that you want the future to remember’ for ARP 2500 (work in progress)
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‘what did you forget that you want the future to remember’ is a result of a months spent experimenting with the legendary ARP 2500 synthesizer. The main focus of the research was the”human” features of the machine as well as traces of a passing time. At the moment the result is a study in harmony and repetition, exploring boarders between linear and non-linear composition aspects with a heightened focus on just intonation and beating interference patterns.
Part of the research was presented at GKG Bonn in July 2023; Comissioned by Strom : Klänge —exhibition at the Gesellschaft für Kunst und Gestaltung Bonn.
ALL THE WONDERS OF SIX LITTLE SPOONS
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ALL THE WONDER OF SIX LITTLE SPOONS is a project found- ed in 2021 in Cologne (DE) by the Polish, Cologne-based composer and guitarist Szymon Wójcik (RASP Lovers).
The ensemble consists of 10 musicians from different parts of the world, coming from various musical backgrounds: Thea Soti (voice), Ferdinand Schwarz (trumpet), Jonas Engel (alto sax, clarinet), Victor Fox (bass clarinet), Emilia Gołos (piano), Zoe Argiriou (vibra- phone, bass drum, timpani), Magdalena Lorenz (violin), Jonas Gerigk (double bass), Anthony Greminger (drums) and Wojcik himself on electric guitar.
The album is an attempt to escape and find an alternative to the hierarchical composer-ensemble relationship. Wójcik closely involved the musicians in the creation and development of the music, by composing specifically for unique styles and techniques used by each member of the ensemble.
The music of „All the...” is a search for balance between the precise organisation of musical material and freedom of expression. Wójcik gives up the idea of a soloist in favor of a dialogue and searching for a common language within the ensemble. He draws from various musi- cal traditions, often at first glance far apart, creating trans-genre environment full of contrasts and oxymorons.
The music is strongly influenced by the writing of Gertrude Stein, specifically her „Tender Buttons”, and a poem by Polish artist Monika Orpik. Language in Wójcik’s compositions has been used not only as a narrative tool but primarily as another instrument, of which the phonetic layer is an extremely important element.
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Szymon Wójcik - electric guitar and compositions
Thea Soti - voice
Ferdinand Schwarz - trumpet
Jonas Engel - alto sax, clarinet
Victor Fox - bass clarinet
Emilia Gołos - piano
Zoe Argiriou - vibraphone, percussion
Magdalena Lorenz - violin
Jonas Gerigk - double bass
Anthony Greminger - drums
